When dealing with close-ups in photography, do not forget that the zone of acceptable sharpness in any picture gets smaller and smaller as the magnification gets greater. ^ Holden, Stephen, “Close Up (1990) MOVIE EVALUATION; The Pathos Of Deceit By a Victim Of Longing.” The New York Occasions , December 31, 1999, Accessed on November 17, 2012. Close-up shots don’t present the subject in the broad context of its environment.
Blurring the road between what’s real & what’s reconstructed from scratch, Shut-Up is truly distinctive in what it pulls off over the course of its runtime and is an incredibly original, meditative & masterly constructed example of experimental filmmaking that provides an fascinating glimpse into the psyche of a complicated man whereas showcasing the power of cinema itself.
Listed below are some recommendations on making the jump from close-up magician to stand-up magician. Medium Shut Up (“MCU” on camera scripts): Halfway between a mid shot and a close-up...Read More